Sublets

Moving out. Moving in. Never moving forward.

Sublets: Three Rooms, Two Roommates, One Big Problem.

Filtering by Tag: webseries

Make it Werq!

To say that Sarah Maiorino works quickly would be a massive understatement. She is one of the most efficient, decisive and self-motivated people on earth. When we hired Sarah to costume Sublets, a huge burden was lifted, for she immediately sprung into action, single-handedly creating looks and personally dressing each character in our wacky world. We realized very quickly that landing someone who self-governs and organizes the way she does, was, in the words of our producer, Sam, a "big win." This costume maven is smart, speedy, self-sufficient and somehow always still has time for a good laugh. But even more impressive--a brief read-thru of the scripts was all it took for her to seamlessly jump onto our creative wavelength. Characters we had been dreaming about for a year were analyzed, understood, and clothed by Sarah in a matter of a few days. Costuming this series was no easy task--at one point, during our shoot for Episode 2, Sarah and Kathy (our Wardrobe Supervisor) orchestrated about 80 costume changes in a 3 hour period at the end of our longest day of shooting--but Sarah handled every curveball with grace and a snappy witticism. 

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Sarah Maiorino began designing for theatre, finding her way into film and television via a stint touring the world with the Blue Man Group. She designed costumes for It Felt Like Love (Sundance 2013), about which Variety said "Spot-on costume and accessory design by Sarah Maiorino telegraphs reams of information about the characters while feeling completely natural." Other credits include The Saints Tour (NYC River to River Festival 2012) ; The Confines (LA Film Festival 2015) ; Desiree Akhavan’s Appropriate Behavior (Sundance 2014) ; My First Kiss and the People Involved; Black Mountain Songs (BAM’s 2014 Next Wave Festival); A Woman a Part ; ABC Live! with Kelly & Michael’s Annual Halloween Specials 2013- 2015; and commercial work for clients including Samsung, Comcast, Western Union, Hilton and Tiffany & Co. She is currently shooting the feature film Easy Living starring Caroline Dhavernas.

From the Cutting Room...

Cory has been with us from the very beginning. He carefully and brilliantly spliced together our initial pilot for the show from reams of scattered footage. Although we were new to the process and had given him very little to work with, somehow he managed to cut and paste his way to a delightful and seamless pilot. Watching this man work is an absolute joy. Fingers flying across the keyboard ocean of shortcuts, dragging and dropping takes faster than we can even articulate what we envision, syncing our wild gesticulations to match from one shot to the next, his mastery of editing is a sight to behold. And beyond his vast wealth of knowledge and expertise, Cory is endlessly patient. He allows us to be curious filmmakers, questioning each moment, pondering alternatives, going down one road for hours and then abruptly deciding it was better the way it was. Cory has managed to make post-production feel as collaborative and thrilling as being on set.

My freshman year at Keene State, I’m in a double with another guy, named Cory. Even spelled the same way, and most spell it with the E. Right away he and I are on different planes. He comes from a very quiet, reserved family in Vermont. Two of the first things he tells me is that he never had a TV until he was a teenager and his sister likes to connect knives (ok!). But we’re both film production majors and we at least have that in common.

He developed (or always had, not sure) this habit of not turning his alarm off went it would sound in the morning. He would simply roll over and try to ignore it. WTF! Seriously, he would put his pillow over his head and try to pretend that it’s not going off. And there I am, on the bottom bunk, just staring up like, dude, shut it off. Now this didn’t happen every day, but it did happen a number of times. Most of the time I was getting up around the same time anyway, I’m an only child, this is my first roommate in my life ever, so I’m trying to be cool and not start a conflict. But the last time it happened is when it caught me in a bad way one morning. It went off and as soon as he rolled over I just shouted up, “Dude TURN THAT FUCKING THING OFF NOW!”. A grumble, it went off, and it never happened again.

Then my buddies and I took that story, and wrote it into our short film Losers that we made our senior year as our ode to life and times at college. The moment and memory live forever, for better or worse!
— CS

Cory is an editor, as well as producer, writer and director, residing in New York City. Originally from New Hampshire and a graduate of Keene State College, Cory has worked on a range of different projects, including features, shorts, web series and any random skit a buddy of his wants to shoot. Just out of college he directed a feature film, Mother's Day and most recently can be seen starring(!) in Jef Needs Ice Cream, a short created with some of his closest friends and collaborators (and fellow KSC grads).

Can You Hear Me Now?

Gene is a dream. He is patient, smart and so very kind. This hard-working dude was a one-man department, 100% in charge of the sound quality of our series. Amidst the insanity of shooting he would calmly tape and re-tape our mic-cords, apologize for ripping off Dolan's modest chest hair (despite Dol's insistence the red mark was a 'badge of honor'), hide behind doors, stand on chairs, practically levitate above a scene to get his boom out of the shot. On episode 2, in particular, you will witness the brilliance and determination required from this man to mic the sublet Kevin. Kevin, played by the delightful Dustin Clodfelter, wears very little at times but our perseverant Eugene always found a way to capture whatever came out of his mouth regardless of costume (or lack thereof).  Gene was always focused and task oriented on set so it was great fun to whisper sweet nothings into our mics, only audible to Gene, and catch him grinning across the room. Talk about an inside joke! 

My main man Mike is my hero today, but he lived like a wild animal when we were roommates. I caught him using the toilet as a mop bucket. When his brother lived with us, I’d quite often find a perfect, hershey kiss droplet of poo on the bathroom floor. While drawing a bath, he got distracted and flooded the half the apartment.
— EK

Eugene Kim says:

I love breakfast burritos. 

I'm from the Bay Area. 

I wish for courtesy police on the subway. 

I record and edit sound.

All hail our ART DIRECTOR!

We had some LONG days on the Sublets shoot, but our days were nothing in comparison to Marianne's. She was on set before we got there in the morning and after we left at night. If she got more than three hours of sleep a night, I'll eat my hat. She was responsible for maintaining design consistency from episode to episode, which is made much more difficult when you are jumping back and forth. The big discovery here is that although in life it seems like a clean apartment is the most difficult upkeep, in film a messy apartment is a far more difficult task. From sublet to sublet, the mess would vary slightly and Marianne would keep track of every pair of chopsticks, every empty beer can, every strategically strewn item of clothing. This gal worked like a maniac. She was always on her feet and always had a smile on her face.  

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Marianne Abbott is a Guatemalan filmmaker, writer and photographer. Marianne is a recent graduate of Brown University where she studied in the Department of Modern Culture and Media, graduating with honors, a Weston Award for excellence in filmmaking and a Kenneth Baker Memorial Prize for an outstanding thesis project. She is currently based in Brooklyn, NY. 

thank you for being here. thank you for the support. thank you for sharing.